Let's All Go to the Movies

Anyway, was a fun and interesting project. If anyone has suggestions for how to make it even more unnecessarily complicated for leisure I'd be interested.

Subscribe to Criterion Channel. Click a random movie without reading much about it to remove any preconceived judgement about whether it seems interesting or not. After doing this ten times you'll either thank me profusely or call me a douchebag.
 
Mentioned Letterboxd earlier in the thread. It's become somewhat of a focus of mine lately. One of the things I do most often with friends and family is "let's watch a movie." Significant others we usually end up watching dozens of movies together.

I decided to create a spreadsheet of likely answers to "what should we watch?" so I can prioritize and select more effectively. I tend to be a low openness viewer. I don't watch a lot of movies and my palate is unsophisticated. This effort has been done to try to merge the realistic answer ("let's watch yet another zombie movie") with openness to what good film could be.

My method:
- All movies that I'd score 4/5 or higher (my bar for whether I'd bother watching again) go on the list
- All movies that I naturally want to see (not items that got on the watchlist because I was "supposed" to see it) go on the list
- Here's the big one: starting in 1990 (because the 90s were the best decade for everything), I calculated the top 5 rated Letterboxd films of each year that could be realistically acquired for viewing in modern fashion (streaming available and not through some obscure site I've never heard of).

This last one is more challenging than it sounds because:
- Letterboxd includes non-films, concerts, stand up specials, etc. You have to check entries individually for whether they're a movie.
- Letterboxd includes many films you'd need a disc or some other special means to acquire. You have to check their data entry (which is itself suspect) individually for each film to see if it's even realistically watchable.
- Many additional judgment calls get made (are short enough documentaries movies? What's too short/long to realistically be a movie?).

Then a few rounds of manual data scraping to get good features in the dataset (length, genre, director).

The results, when digested and analyzed, are kind of interesting. You get wide ranges year to year. Sometimes the top 5 you've heard of. Sometimes it's all obscurity. Quentin Tarantino has more films on the list than anyone else, double 3rd place. This method nearly always captures one of his movies in the Top 5 and the few others I've seen and liked or wanted to watch. I figured there'd be more variety at the top of a list like this, even if it is calibrated to mostly my tastes. I think the only movie of his I've even seen is Kill Bill.

Anyway, was a fun and interesting project. If anyone has suggestions for how to make it even more unnecessarily complicated for leisure I'd be interested.
Wait, do you do all this on letterbox or a separate spreadsheet? My wife and I constantly struggle to find things to watch together. Would love a good way to find common ground.
 
Subscribe to Criterion Channel. Click a random movie without reading much about it to remove any preconceived judgement about whether it seems interesting or not. After doing this ten times you'll either thank me profusely or call me a douchebag.
I have found Criterion quite refreshing. Lots of unknown (to me) stuff. I enjoy the foreign catalogs.
 
I have found Criterion quite refreshing. Lots of unknown (to me) stuff. I enjoy the foreign catalogs.


I used to be apprehensive towards old movies I had no familiarity with, especially foreign stuff, thinking it's going to be too serious or I might not connect with it if I'm not in the right mood. Then you watch certain Ozu or Bergman and it's wall to wall fart jokes. No reason for apprehension.
 
James Franco being eaten by cannibals in This is the End is a lot more accepted these days as proper.

I rewatched this tonight because this is literally the film my Gen Z employees reference the most.

This is their canon version on Michael Cera they didn’t ever watch Arrested Development
 
Wait, do you do all this on letterbox or a separate spreadsheet? My wife and I constantly struggle to find things to watch together. Would love a good way to find common ground.
This is in Excel. I have a traditional watchlist on Letterboxd but I try to keep that "pure" to just movies Coyote's inner self genuinely wants to see because that's the biggest rarity in movies.

Here's most of the columns and a line:
1770299674056.webp

These columns make all the difference with the filter feature:
"We need a movie on not-Amazon, not serious, not likely subtitled, we've only got 2 hours. Recent, say since 2010."

Produces 8 movies that meet the entry criteria and I could read the titles and descriptions to people and answer who directed it and what kind of movie if it wasn't on the list because I'd already seen and liked it.

One other easy feature is that every row is tagged with a random number further down. So if you give it criteria and don't want to pick, you can just say "high" or "low" and I'll let the random number tell us which movie in scope we're watching.

I have a similar tab for prestige and quality TV shows, using a combination of IMDB's Top 250 and my own personal taste. My significant others also often want to watch a show and my son loves anime. I can only suggest Last of Us (season 1 only) and The Bear so many times. Shows are even more of investment than movies so I feel like it's easier to create an upper limit of what's worth pursuing or suggesting. As it is this limited list of ~300 movies and ~30 shows produces like 80 days worth of content to watch.
 
Unrelated but funny.

Another film project I'm doing with a few friends. We're watching the top Letterboxd film every year 1925-2024. Small group. I provide the "I've never seen this" perspective because as we've established I don't watch films enough.

This round's pick: a double feature of The Godfather and The Godfather II, both on the list for different years.

I watched The Godfather for the first time last night. Enjoyed it. Didn't like the portrayal of women. Haven't seen the second yet but hopefully excited.

Anyway today we talked Part I as a group. Someone said it's wild that Al Pacino looks so different in his young career.

I say:
"I didn't even recognize him. Who'd he play?"

We all had a great laugh when I realized.
 
Unrelated but funny.

Another film project I'm doing with a few friends. We're watching the top Letterboxd film every year 1925-2024. Small group. I provide the "I've never seen this" perspective because as we've established I don't watch films enough.

This round's pick: a double feature of The Godfather and The Godfather II, both on the list for different years.

I watched The Godfather for the first time last night. Enjoyed it. Didn't like the portrayal of women. Haven't seen the second yet but hopefully excited.

Anyway today we talked Part I as a group. Someone said it's wild that Al Pacino looks so different in his young career.

I say:
"I didn't even recognize him. Who'd he play?"

We all had a great laugh when I realized.
tbf the change in Al's voice from soft 70s compared to what it became as he got older is jarring. Hoo ah! Check out Dog Day Afternoon if you want another Pacino banger from the 70s.
 


They had to de-age the fuck out of everybody except Laura Dern.

I hope that Sam Neill got a big paycheck for this because fuck leaving my house in New Zealand when I'm almost 80.
 
We Need To Talk About Kevin - Having two young boys it makes you replay every decision you've ever made as a parent. A truly harrowing watch. Very much an ESH movie. Tilda is a shitty mom to Kevin in his formative years, but this is clearly the result of PPD. JCR should have gotten her into therapy/the help she needed at that point and should not be ignoring the flashing warning signs with his kid. Kevin is a sociopath who has internalized all of the shit his mother said to him as a baby/toddler and is doing horrendous things. The whole movie I'm sitting there wondering what happened and why she continually is visiting him in prison and then those last few bits of her fixing up his room, finding a way to connect and act as a human with him to show him sympathy and break down those walls and they hug and why am I crying.

ART
 
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