Let's All Go to the Movies

Super 8 was fun but not really very memorable. Like I literally watched it last night and then had to think about it for a few minutes until I remembered watching it. Also lens flares are stupid. I don’t hate JJ, but that shit is aging like milk.

Manchester by the Sea was extremely sad but I thought it was good. I feel like people didn’t like this when it came out, and I guess I could understand why (I remember my boss went to see it on Christmas with his family and told me that was a bad idea). But I liked the way it was laid out.
 
Insane. Absolutely insane but not bad? Goggins is great as always. Mel is just being post-rant Mel and it works. Still an insane movie.

For $8 I recommend as a not bad shoot ‘em up with some good twists.
Played the trailer for the wife and as soon as she saw Goggins she said stop the trailer I’m in.

*spoiler I knew this is exactly how it would play out. Her love of Justified would out weigh her dislike of Mel.
 
Tenet: Take a movie with a complicated plot line and heady concept, both of which relies on the viewer understanding a tremendous amount of narrative, while hearing a horrific audio mix/soundtrack that makes the dialogue unintelligible.

The movie is a technical marvel, though fell way short of how Interstellar created a grand sense of awe (for the record, Interstellar at the Smithsonian Air and Space Museum's IMAX was my personal pinnacle experience for seeing movies in a theater) despite having some easy layup cinematic setpieces for mindfucking the viewer. My favorite scenes explored the concept of inversion in a way that was clear to the audience, but there simply wasn't enough of it. For example, the fight in the art depot was fantastic, but moves into genius territory once the audience knew what was actually appening and understood the terror of being attacked by someone from the future moving backwards in time. Using that plot device in a more meaningful way would've sent this movie above and beyond for me.

A lot of people will probably finish this feeling confused, while for me, its dissatisfaction. Hell, the big final battle felt like some weak ass cinematic setpiece in a COD game. I think my favorite part of watching Tenet was Nolan insisting on seeing it in theaters, but wearing headphones somewhat helped make some sense of wtf I was watching. The plot is really not that hard to follow if you could actually hear the dialogue. I liked the movie, but I'm certainly not watching it again knowing it's a showcase of Nolan simultaneously at his best and worst as a filmmaker. Or if I do, I sure as hell will do it with an altered state of mind.

One last thing: Robert Pattinson's performance was the most fun part of the movie and seeing him as an action hero has me sold that he is gonna be fucking awesome in Batman.
 
Tenet: Take a movie with a complicated plot line and heady concept, both of which relies on the viewer understanding a tremendous amount of narrative, while hearing a horrific audio mix/soundtrack that makes the dialogue unintelligible.

The movie is a technical marvel, though fell way short of how Interstellar created a grand sense of awe (for the record, Interstellar at the Smithsonian Air and Space Museum's IMAX was my personal pinnacle experience for seeing movies in a theater) despite having some easy layup cinematic setpieces for mindfucking the viewer. My favorite scenes explored the concept of inversion in a way that was clear to the audience, but there simply wasn't enough of it. For example, the fight in the art depot was fantastic, but moves into genius territory once the audience knew what was actually appening and understood the terror of being attacked by someone from the future moving backwards in time. Using that plot device in a more meaningful way would've sent this movie above and beyond for me.

A lot of people will probably finish this feeling confused, while for me, its dissatisfaction. Hell, the big final battle felt like some weak ass cinematic setpiece in a COD game. I think my favorite part of watching Tenet was Nolan insisting on seeing it in theaters, but wearing headphones somewhat helped make some sense of wtf I was watching. The plot is really not that hard to follow if you could actually hear the dialogue. I liked the movie, but I'm certainly not watching it again knowing it's a showcase of Nolan simultaneously at his best and worst as a filmmaker. Or if I do, I sure as hell will do it with an altered state of mind.

One last thing: Robert Pattinson's performance was the most fun part of the movie and seeing him as an action hero has me sold that he is gonna be fucking awesome in Batman.
I too loved Interstellar in Imax
 
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I too loved Interstellar in Imax
Specifically it was the tesseract scene that gave me goosebumps and had my jaw on the floor (lol surprise right?), thats the closest on screen depiction I've seen to blasting off on DMT

Also realized I can put it differently without spoilers: so while we're talking about that "holy shit" mindfuck feeling, Nolan just flat out botched opportunities to hit the same level of mindfuckery because of the godawful ADR. I've read pro audio engineers comment that this movie sounding like shit was intentional too! I will also confess it was fun as hell to watch Robert Pattinson and if I do rewatch it, I'm def paying close attention to him.
 
Hillbilly Elegy (4/10) is as tedious as the trailers indicated. You know those 'for your consideration' clips they play at the Oscars when they introduce nominees? It's a two hour movie consisting entirely of those. Ron Howard was either unable or uninterested in reigning Glenn Close and Amy Adams in to anything resembling a natural performance. Everything is so goddamn forced and go-for-broke, you can see the wheels spinning in Adams' head as she gets to the next shouted line. I love Amy Adams, she's one of the best actresses alive. This is a horrendous performance from her. The situations the adult version of the main character is presented with at Yale are the most basic tropes, whether its calling his girlfriend to ask which fork to eat with or angrily telling a bigwig at a prestigious law firm "We don't use that word" (the word is redneck, the horror), I couldn't help but laugh. I almost felt bad for Close who earnestly tries to lean into the meme of a character they intentionally wrote on the page. But how can you successfully deliver lines ruminating on "good terminators, bad terminators, or neutral", or about how "We're hill folk, and we respect our dead." Who doesn't respect their fucking dead? Worst of all, the movie is boring as shit. The same domestic blowouts repeat ad infinitum until the bootstrap pulling begins. While many view the omission of the book's piss-poor political takes as a good thing, damn if it wouldn't have at least said something. Hillbilly Elegy is so wishy-washy and fucking pointless, bad political leanings might have at least made it worth talking about.
 
Netflix has coasted for years releasing mostly shitty movies and HBO just clowned them with this.
HBO Max just clowned everybody at the cost of several billion dollars. Including the entire theatrical industry.

I was saying earlier this year that AppleTV+ should just spend some of those trillions of dollars they have an buy the entire summer slate of movies.

Hopefully this tide will rise all ships. Be interested to see if Netflix does a deal now with somebody like Sony, who don't have a streaming platform, to compete.
 
Studios will definitely take a huge loss in terms of financial return on blockbusters going straight to streaming platforms but the boost in subscribers will bump the parent companies' stock prices. In the long run, we will probably see fewer $250M+ budget blockbusters solely due to ROI, which I won't mind. But the major studios will also be able to cut corners in the filmmaking/VFX end if they aren't making movies for the big screen.

Congratulations, a set of metrics will now decide which movies get made.
 
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