Let's All Go to the Movies

Gus Van Sant made his first feature in 8 years starring a Skarsgard, a Stranger Thing, and Al Pacino and nobody seems to know about it. Dead Man's Wire is a clever twist on the true crime heist thriller, as a man who lost everything to the bank takes a mortgage broker hostage. Bill Skarsgard is great as a live wire man on edge. Some not so great acting on the periphery as Pacino and particularly Myha'la Herrold think they're in different movies.

It's worth a watch if you're at all unfamiliar with the real life story. Pretty safe and clean for a Gus Van Sant picture.
 
Been having my own Radu Jude fest leading into his new one, Kontinental 25


Kontinental '25
Continues the string of Jude's recent work where everyday people have to examine what it's like being a cog in the global imperial capitalist machine. A bailiff for a real estate developer finds herself spiraling in the wake of a tragic encounter while evicting a poor tenant. Looking for a semblance of morality in the failures of capitalism/nationalism but all you find is the passive violence within. Tons of long takes arguing about morality and guilt, quoting Brecht, and ribbing Wim Wender's Perfect Days. How do the petit bourgeois process guilt? They mourn through the lens of how they feel about it for a bit then go on their vacation. Needless to say, I loved it. Missing the humor of Do Not Expect... but he probably didn't have much left after Dracula, which he shot at the same time.


I Do Not Care If We Go Down In History As Barbarians
Capturing the absurdity of present day is what Jude does best. Specifically, capturing how awful everyday people can be with stomach churning conversations where they believe their bigotry is rational and correct. A director is attempting to put on a true to history reenactment of the 1941 Odessa massacre but receives pushback from her bosses and locals as they don't see why Romania should be portrayed so negatively. The guerilla filmmaking feel of this closely matches Kontinental. The highly emotional arguments match Do Not Expect... Probably lesser than those two overall though.


Aferim!
This movie knocked me on my ass. A handsomely staged period piece with all of the acerbic wit and nasty provocations I love from Jude. Plays out like a John Ford Western by way of Hal Ashby's The Last Detail, as a constable and his son search the Wallachian landscape for a fugitive slave. Stylistically it may have very little in common with his recent stretch but thematically, the through lines are there. It's every bit as angry and baffled at the racism at the core of Romanian identity as his works set in the present. Maybe the funniest western ever made while still containing some truly horrific shit.



As a follow up, I was looking to catch up on a couple directors' work (Jude and Oliver Laxe specifically) and was dismayed to find most of it isn't streaming anywhere in the US. I happened upon a streaming service called Ovid.tv that had most films by both my main targets and quite a few others.

It's not a deep catalog and they seem to specialize in indie docs and foreign film but I felt it was worth a free trial. Upon canceling, they offered me a 50% off for the first six months deal with the promo code "NICE" at checkout. $3.49/mo was tough to pass up so I'm looking forward to diving deeper into that catalog.



Also, BritBox requires a UK credit card now?? No Google/apple pay? A travesty.
 
New Pixar (Hoppers) is legit as fuck. Premise stolen from Avatar but way more entertaining.

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Glad these guys got a win with an original film. About to get another one with Toy Story 5 as well. Gotta keep those balanced.

You don’t get a Wall-E if you’re making only sequels.


The ultimate physical media. Here’s you’re pallet of movie sir.
 
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These guys are officially worth less than 1/10 the amount of the company they're acquiring.

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The Warped Ones - 1960 post war Japanese sun film at its finest. Revolves around a always-skipping hooligan character who improvises his way through life along side a frenetic jazz score he can't help but to constantly sing and grunt along to. Lots of thematic violence a la clockwork orange. Not your typical film, but my favorite of Koreyoshi Kurahara's filmography.
 
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It's fine but also kind of nothing. I went with two fans of the book who felt the same way.
I guess I expected more existential sci-fi with some cool action instead of a saccharine buddy cop all-ages comedy. Stakes felt surprisingly low. Movie starts on one note and stays there throughout its runtime. I've seen other somewhat recent space exploration movies explore similar ideas much more effectively. What if Interstellar or High Life was filled to the brim with quippy bullshit?


The Martian is MUCH better than this.
 
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