Still fucking love The Humpty Dance. That bassline is kickin'.
Still fucking love The Humpty Dance. That bassline is kickin'.
The local Musicland had the giant inflatable butt on their roof for the Sir Mix-A-Lot album release. Much pearl clutching ensued.
Had them all, and repurchased this one on vinyl a couple years
Thats my favorite of them. So many of those comps I know the next song before it comes on and get confused when I listen to the actual record the songs were on.
same ...price point was a major motivating factor.
I've enjoyed a decent number of their singles. Chad Sexton is a very good drummer too, so that's fun for me.I never liked 311. Went to see them with some friends and there was so much weed being thrown at the bass player and he picked every single joint and bag up as they left.
I still think Gwen is hot.
I took my 11 year old female cousin to an N*Sync concert (because her parents refused to go) and it actually didn't suck. I expected lip synching and dancing but those dudes could actually sing.Because I am basic.
I could never imagine triggering such a hyper-specific disdain for 311 fans, but I'll admit I'm elated right nowThey were also the kind of dudes who, if you traded bootlegs with them, did 2-for-1s*, rather than blanks & postage^. Dick move.
*for those not hip to the parlance of the times, a 2-for-1 was a bootleg swap where you'd have to send two blanks (tapes or CDs) for every one they'd send back. So if you were trading for a show that was 2 tapes, you'd send 4, and the person making the copy for you would keep 2 free blanks. 311 bros were always saying P.L.U.R. (peace, love, unity, respect), but making someone "pay" you for copying a bootleg is not very peace or respect, IMO. They were the shitlords of bootleg trading, if you will.
^blanks & postage (or B&Ps), were where you'd just send the appropriate number of blanks, along with a postage-paid return envelope. This was the common method in Phish, Dead, and most jamband trades. Because most jam folks aren't d-bags. Most.
Also, sorry.
And also, yes, I once actively traded 311 bootlegs.
The older boy has been getting into superheroes over the last few years, and I remember having these cards as a young lad.
Given their popularity, N Sync, BSB, and Britney didn't have a lot of great songs. In particular "Bye Bye Bye" was the one worthwhile N Sync song for me. It's baffling to me. One Direction has probably 20 good pop songs to N Sync's one. I'm not even going to get started on CRJ.Because I am basic.
Given their popularity, N Sync, BSB, and Britney didn't have a lot of great songs. In particular "Bye Bye Bye" was the one worthwhile N Sync song for me. It's baffling to me. One Direction has probably 20 good pop songs to N Sync's one. I'm not even going to get started on CRJ.
That wasn't passing judgment on teen Mead! It was insanely popular at the time and there are a few all time greats - aforementioned Genie (I liked the What a Girl Wants remix too), Crazy (the remix from the Drive Me Crazy soundtrack of course), overplayed but I Want It That Way is legit great. In retrospect, it just didn't seem as strong or depth of quantity as some of the all time great pop music.Pop music was what I did instead of drugs.
Given their popularity, N Sync, BSB, and Britney didn't have a lot of great songs. In particular "Bye Bye Bye" was the one worthwhile N Sync song for me. It's baffling to me. One Direction has probably 20 good pop songs to N Sync's one. I'm not even going to get started on CRJ.
Oh judge away. That is the extent of my defense. I still enjoy the hell out of NSYNC, 5ive, Spice Girls, LFO, Britney, Christina, and some other obscure stuff. But most of it is not objectively good.That wasn't passing judgment on teen Mead! It was insanely popular at the time and there are a few all time greats - aforementioned Genie (I liked the What a Girl Wants remix too), Crazy (the remix from the Drive Me Crazy soundtrack of course), overplayed but I Want It That Way is legit great. In retrospect, it just didn't seem as strong or depth of quantity as some of the all time great pop music.